A dimensão ética do conceito de responsabilidade na obra: para filosofia do ato responsável.

Abstract

Mikhail Bakhtin proposes a philosophy of the unrepeatable act, occourrence or event situated in unique places and moments. His approach reveals critical thinking to theoreticism with it's generalizing and, at the same time, reductionist. In this research, is sought to reveal how he intends to present a philosophical way that is capable of integrating culture and life, overcoming generalizations, without, however, denying them. Since it understands that human experiences are unique and that the act can only be carried out once and in a responsible way. In this sense, we sought to analyze his inaugural work "For a philosophy of responsible act". In order to understand the sequence of his thought, an analysis was made of the categories exotopia, carnivalization and polyphony that he develops in the text "The author and the hero", which many scholars understand as a continuation of the first text. Resorted to the book "The Popular Culture of the Middle Ages and the Renaissance: The Context of François Rabelais", since in that work he interprets the reality of life in a given time, as the title indicates. Following in his footsteps, a reading of the sertanejo's universe was carried out, also based on elements of popular culture, especially singing due to its importance in the formation of the ethos in the region.